Commercial Reel 2025

As it is not always possible to get the materials I worked on please also check out more recent projects below.

Film/Episodic Reel 2025

A cut down of my latest film and episodic work. For more detailed information about my film and episodic work please have a look at my imdb profile.

The speakers in the SLAB commercial needed enhancing on the rock texture and its integration as well as some technical improvements on the crack in the ground.

DP World: some green screen compositing (25“), integration of the golf club, cleanup of background (50“), golf ball integration (54“)

Back with the nice people at Covert again I had the pleasure to work on this cool ad for Lenovo, bringing some of those game characters into the real world. Below are srceenhots of most of the shots I worked on.

Recently I got to support BaconX in completing their (super bowl) advertisements for Pfizer, Magnum and Bosch.

Tasks at hand were screen inserts, split screens, sky replacements, retouches and a blue screen.

A really beautiful project I worked on at We Are Covert was this campaign.

In October ’23 I helped We Are Covert complete two of their three Iphone ads for Boost Infinite. Studio footage and CG elements were combined to create these beautiful commercials.

For Gabha Studios and together with rohtau a series of LEGO commercials have been created.

In the first film CG lego bricks had to be integrated and match their real life counterpart to achieve a convincing time lapse look that could be altered creatively to liking.

More films with some nice effects will be shown here as they become public.

Mission X. The Call of Tomorrow.

With Sehsucht I had the pleasure to work on some partly abstract fluid glass shots and shots of the stunning new Porsche car itself.

ProNatura „Domino Effekt“

With Sehsucht I had the pleasure to comp and grade this beautiful short spot.

Compositing was split up between one colleague and myself (lead). Grading was done by myself and supervised by my VFX sup.

EIT.swiss „Power on für das gute Leben“

With Sehsucht the campaign with the cat was taken to a new level in 2023. I had the role as a Lead Compositor to bring those cats to life.

Braqueurs (Netflix)

In the Netflix series „Braqueurs“ I integrated fire and smoke in a car (matchmove, reflections, distortions, etc.) as well as some blood hits and muzzle flashes.

The Kingdom

The Kingdom: Exodus from Director Lars von Trier had some nice shots to work on including a close up head shot and some retouching work.

Baby to go (The Pod Generation)

Luden (Amazon)

For D-Facto Motion in Munich I worked several months on the Amazon Prime Video production „Luden“. Tasks included 3D-mtachmoving (in Nuke), retouch work (skin, car, landscape), screen integration.

Sissi Staffel 1 (RTL+)

Tasks here included facetracking, set extension, 3D match moving (Nuke), retouch work.

Porsche „Mission R“

A commercial automotive project I worked on as a compositor at Sehsucht München.

I enjoyed the challenge as it was not just a technical but also a creative one. Among the tasks presented were integration of the CG car, removal of the on set car, development of the glitches and pixelation effects.

Lisey’s Story

For Rise FX Stuttgart I worked on this series by Apple TV+.

Bees and Moths

Further below you can find my reel, there are two major projects missing in it, though.

The first one is „Maya the Bee 3 – The golden Orb“ –  a full CG project done at Isar Animation Studios.

The second one is „Hausen“ – a horror Series on Sky done by Sehsucht Munich.

Here you can have a look at the trailers to get an impression.